Welcome to my official site where you can find out all the current projects going on for both my acting and writing projects. Please take a look around and reach out and say hello.
In brief, I moved to NYC in 2007 and soon after started my professional acting career as an AEA and SAG-AFTRA union actor appearing on stage in the Lortel Award-Winning Betrayed, HERE’s production of Betty Shamieh’s The Strangest, Yusef El-Guindi’s Language Rooms, and NYTW’s Aftermath. I also did some short stints on TV and film in The Dictator, Blue Bloods, and Damages. You can find out more by clicking on the Acting links in the menu above.
In 2010 I embarked on a writing career as well starting with my tenure in The Public Theater’s 2011 Emerging Writers Group. Since then my work has been seen at The Flea Theatre, Actor’s Theatre of Charlotte, NOOR Theatre’s HIGHLIGHT series, The Public Theater’s SPOTLIGHT series, Ugly Rhino, and Mixed Phoenix. You can find out more by clicking on the Writing links in the menu above.
In 2013 I decided to move to London to establish my career there as well. Since I arrive I have performed at The Camden Fringe, The Space, RichMix, and my work has been seen at Theatre503, Arcola, The Bush Theatre, Vertical Line Theatre, Birmingham Theatre Exchange, and The Camden Fringe.
I am currently working in both cities as an actor and a writer.
Four short plays tell stories of the confusion of second generation children of refugees, the conflicted fate of British-Muslim soldiers, the West’s obsession with food fetishism and consumerism, and five generations of Arab Spring women using social media for political agency. With poignant brevity and sharp observation, Nahda asks how personal freedom and identity can be conquered under the pressure of conflicting forces.
Wed 15 – Sat 18 July 2015, 7pm
(Matinees: Wed & Sat, 2pm)
[img src=http://www.sevangreene.com/wp-content/flagallery/production-photos/thumbs/thumbs_ob-xi206_0503ny_j_20130502180426.jpg]00April 25, 2013 - New York, NY: From left Gayton Scott, Ayub Khan Din, and Sevan Greene get notes from director Scott Elliott at a rehearsal from Bunty Berman Presents at the Row Theater on 41st street and 9th Ave. Due to a last minute injury, Din was cast as an actor in the play. CREDIT: Stephen Yang for the Wall Street JournalNY.AyubKhanDin
April 25, 2013 - New York, NY: From left Gayton Scott, Ayub Khan Din, and Sevan Greene get notes from director Scott Elliott at a rehearsal from Bunty Berman Presents at the Row Theater on 41st street and 9th Ave. Due to a last minute injury, Din was cast as an actor in the play. CREDIT: Stephen Yang for the Wall Street Journal
Published Credit: Stephen Yang for The Wall Street Journal[img src=http://www.sevangreene.com/wp-content/flagallery/production-photos/thumbs/thumbs_201-high-res.jpg]00
I am a playwright/actor dedicated to exploring stories of the marginalized and unheard. Through ideas of identity, I want to dissect what someone is willing to sacrifice to preserve or transform themselves to secure their way of life or to fit into a dominant culture. My characters are diverse covering the Ethnic Other and the Cultural Majority through stories ranging from the Armenian Genocide and Indian Hijra communities to hoarders in Boston and even Lucifer himself. I am dedicated to expanding the landscape and canon of contemporary theatre through stories that are new, risky, and that bring new truths by re-familiarizing the familiar through the unfamiliar. I want to examine how truth and untruth, reality and falsehood, reason and unreason battle it out in the game of life. I am especially focused on exploring Middle Eastern identities in native and Western countries as they are affected by diasporas, revolutions, terrorist attacks, and everyday contemporary life.
Sevan’s work has been seen at:
5M, 5W (with a possible expanded cast of 29 – 15M, 14W) – “History is not the past. It is the stories we tell about the past.” – Grace Lee Boggs. An ode to the Armenian Genocide, Forgotten Bread is the volatile, and sometimes humorous, journey of a Lost Son trying to uncover his family’s past and reclaim his cultural identity. Past and Present collide and melt into one another as he descends further down the rabbit hole of life, death, and survival pushed along by family secrets and historical truths. How can you undo the forced memory loss of survivors guilt to find your place in a world that has forgotten your people?
5M, 5W – family drama/comedy focusing on three generations of a Lebanese-Armenian family in New Jersey trying to heal old wounds while opening new ones on the eve of their patriarch’s funeral. Not all goes as planned when the prodigal son returns and cultural obligations give way to personal agendas.
4M, 2W – Joe is a terrorist. Or – is he? At least he looks like one. Or – does he? He’s an angry young man. Or – no – wait – yes he is. But when his anger gets the best of him not even his “urban” cousin, Thumper, or fiancé, USAID legal assistant Anna, can stop him from going too far. Throw in a couple of Homeland Security agents and their booze-induced fashionista roommate Lyda and he’s in for a hell of a weekend. But he’s an American, so he’ll be fine. Or – will he?
1M, 4W – Reeling from the death of her husband and the recent loss of her son in the Iraq war, Susan Davis is confronted with a surprise visitor at her doorstep – a young Iraqi girl named Lena who is more connected to her son than she could ever imagine. Not even her best friend, cookie-baking Jesus-loving Gloria and her wise ass daughter Anne-Marie, can avoid the tides of change as West meets East in sleepy Panama City, FL.
2M, 1W – Luke and Issa have found a friendship in the middle of an occupation war. Along with Issa’s twin sister, Hayat, the three find comfort, security and a sense of family again. But as the insurgency grows, their triangle is tested to the limits. What is the price of friendship forged in wartime? And how far will they go to find their freedom?
3M, 2W – When a children’s burial site is unearthed in 1993, Garo is forced to face the sins of his past by his curious granddaughter Ani in a journey that returns them to Lebanon and Turkey jumping to 1931 and 1916 as he searches for a sister he lost to the Turkification processes during the Armenian Genocide. But with The Virgin Mary and St. Joseph close by will he be able to hide all the truths and still find forgiveness and peace?
2M, 2W, 1 M/W – When Gaz starts acting a little weird, his roommate Anthony calls on Gaz’s long-time best friends, Therry and Steffy, to help him with an intervention to win his friend back. But Gaz doesn’t think there’s a problem. What’s not normal about listening to the neighbors have sex every day and talkswaying at 2AM? And so what if he likes hanging out with the Riverside Park transsexual prostitute in the afternoon? This new comedy explores what happens when we internalize the spirit of New York City and it begins to eat its way out. WARNING: This is not an NYC apartment play about white infertile middle-aged married couples on the verge of divorce as one or both bend their sexual preferences while living on the Upper West Side.
2M, 3W – In 1960s Cairo, amidst the shimmering heat of a city pulsing with life, a passionate love affair blooms between a married Egyptian woman and a visiting Canadian professor ten years her junior. In a cold house in wintry Toronto, Amal is becoming a burden to her divorcee daughter Janine who is unsuccessfully trying to restart her life. Both women get buried under the weight of the past in a tug-of-war that neither can truly win. With Amal’s past constantly banging at the front door, what is real and what is memory? Based on the memoirs of a woman who fought for her independence during the turning point of Cairo’s modern history, this new play traces the aftermath of her radical decisions while spying into her turbulent past.
1M, 3W – Widowed Edith is a hoarder. She doesn’t think there’s a problem, but when the city of Boston sends her an order to clean-up or vacate, she is forced to come to terms with some harsh realizations. Unfortunately, that includes the well-intentioned, but meddling, Dr. Laziak who drags Ruth’s estranged children into the situation: Beth, a volatile self-abuser, and David, a socially awkward germaphobe. She’s got a week and all the odds are against her.
5M, 1W, 3 M/W – For every 1000 years since his fall from grace, Lucifer has come to purgatory for a parole hearing of sorts. And for the last 3000 hearings he has been sent back to hell. But he’s found a loophole this time: A key witness who has been missing for two thousand years. Lucifer intends to prove his innocence even if it means the total destruction of the Heavens. You think you know the story behind Lucifer’s fall? Family drama and Christian mythology come to a violent head in a play that explores how we define religious truth, familial obligation, and what the price of blind faith is.
6M, 1W – Hijras are third-gender misfits who were once revered across Ancient Asia and Arabia. Today – they are feared and discriminated against. Their traditions are under threat as Westernization and capitalism rapidly spread. Uma, the domineering leader of a popular Hijra clan in India, is desperate to preserve her traditions and mystique. But the clan comes under threat as one newcomer, searching for a new start, upsets the clan balance while another offers them a chance at equality. Using moments of traditional Indian storytelling, A Fire of Small Virtues examines what someone would be willing to sacrifice for a chance at equality and freedom.
2M, 2W – Sevan must escape the ravages of the Gulf War for a chance at the American dream. Armed with a box of bootleg cassettes and his obsession with all things West, this brown boy stumbles on his journey to become his true self: a white American. He’s already got a New Kids on the block T-shirt – how hard can it be? From the raucous parlors of African-American Florida to the uptight racist salons of white New York City, Sevan learns that it takes more than an encyclopedic knowledge of The Little Mermaid to be part of their world. Sevan Greene performs his story supported by a full band and ‘black-up’ singers. Drawn from the experience of his own harrowing reality, The Greene Card asks why it’s easier to survive warfare, than to live as an immigrant.
2M, 2W – Do revolutions truly change anything? After 13 years, Abdul-Rahim is released from captivity. Driven by the memory of his wife, he must find his two children, Qila and Mar, now young adults struggling to survive in the bleakest of conditions. But the past cannot leave the present behind and screams for revenge: A blood oath must be paid by the parent or the child. Inspired by the Syrian Civil War and Greek Tragedies, this new play examines the unforeseen aftermath of the Arab Spring revolutions.
2M – A visceral look at the violent reality of WW1 trenches as seen through the eyes of two unlikely soldiers: Simon, an ex-pat raised in India, and Buck, a nationalist Irishman. This new play unveils the hidden and forgotten troops of the war and their personal struggles in a time of great upheaval and change. How can you survive the war when you’re not sure if you can survive your trenchmate?
2M, 1W – A new cabaret-play about cultural obligations, religious trappings, and sexual awakenings in a Western world. Featuring pop, gospel, and musical theatre songs, bi explores how it’s possible to feel alone in a city of 8 million people as you try to figure out what you are and who you want, so you can decide what you want and who you are. How does an Arab-Asian, Muslim-Christian bisexual fit in a world where the odds are against him?
4M, 5W – An honest look at contemporary Arab identity in the West and abroad. Four short plays tell stories of the confusion of second generation children of refugees, the conflicted fate of British-Muslim soldiers, the West’s obsession with food fetishism and consumerism, and five generations of Arab Spring women using social media for political agency. With poignant brevity and sharp observation, Nahda asks how personal freedom and identity can be conquered under the pressure of conflicting forces.
1M, 1W – It’s Christmas Eve and things are not so great for Daphne or Phineas. A chance encounter between the two on a late night empty subway car turns into a soul-bearing session, each surprising the other with their confessions. They’ve internalized New York City and it’s fighting to eat its way out of them, but it seems they might have found what they need in each other. Maybe.
1M, 1W – Cosmo is a sci-fi loving con-fanatic geek. His girlfriend Shironi is an advertising shark who loves her Louboutins. So how on earth have they been together so many years? A misstep on Shironi’s part at Comic-Con threatens to pull them apart. Can their relationship really live steadily in their differences alone? Or is a little Wookie love all they really need.
2M, 1W – It’s the end of the world for childhood best friends Abel, Cass, and Dex. Sneaking a moment away the night of their high school graduation, the three sit in a field to recall their highs and lows. What they discover is the secrets we sometimes keep from those we love most. The transition to being an adult is never a smooth ride.
3M/W – In the wake of wiretapping scandals, Shhh… explores the worker bees behind the well-intentioned espionage of superpower governments. But what happens when your conscience interferes with your directive?
2M, 1W – What really happened the night before Jesus was crucified? For centuries, Judas has been demonized and accused of betraying one of the greatest figures in Christian mythology and human history. But what if the truth is something we never imagine? Using The Gospel of Judas as a jumping off point, this short play exposes the truth of Judas’ crime.
2M – Gideon has dragged his cousin Max to Trafalgar Square hoping to recreate a family photo moment in honor of his father. But it’s been 20 minutes and there’s no sight of a single pigeon. Max is tired and Gideon is unraveling. How do you connect to a cultural past you’ve spent years divorcing yourself from?
1M, 1W – What happens in the moment right before life-changing decisions? Absentia is about tearing apart those traditional life milestones in favor of preserving our daily life. Joss and Suze are in that moment and need to decide whether they are ready to change. Will they survive each other let alone this moment?
5W – ‘I am with the uprising…’ Inspired by the work of Yalda Younes, Diala Haidar, Farah Barqawi and Sally Zohney, this choreo-poem examines the unheard voices of the Arab Spring women: their losses, their victories, their struggles. Using traditional Middle Eastern aurality, Intifadat reveals a side of the Arab revolutions we haven’t seen through 5 generations of women bucking tradition and fighting against the Middle Eastern patriarchy.
1M, 1W –It’s a night they can never forget. But one of them doesn’t remember it right. While the other wishes they could just forget it. Emma and Drew are about to have a reckoning and the truth won’t be a welcome revelation.
2M – Two brothers reunite after their father passes to say goodbye to their childhood home. But what surfaces are false memories and the truth of a brother’s bond.
NYB follows the electric 48hour journey of 6 “brown” people whose extraordinary lives converge as they confront issues of ethnicity, freedom, and self-discovery amidst the vibrant pulse of contemporary New York City.
Three friends looking to recapture the strength of their bonds reunite for one last road trip, but test the limits of their friendship as secrets are revealed and lives changed forever.
INTIMATELY with emerging playwright Sevan K. Greene – Female Arts
Cabaret Play The Greene Card tackles Racism – Desi Blitz
The Flea Theatre, New York City
dir. Ed Iskandar
The Space, London
dir. Daniel Huntley Solon
‘A heart-warming, engrossing show from a strong new addition to London’s theatre scene.’ – everything theatre ★★★★
‘The Greene Card was one of the best pieces of theatre I have seen in a long while. It is truly deserving of a transfer to a bigger venue, so that the talent involved, and the issues discussed can move as many people as possible, not only in terms of emotional reaction, but also in the desire to change the face of heteronormative theatre that is all too familiar and tired.’ – postscript journal ★★★★
‘This is a fascinating story…hopefully he’ll stick around in London and share more with us. It’s a well-considered choice for a transfer.’ – views from the gods ★★★★
dir. Jonny Collis
‘Fear In A Handful of Dust is as painfully brutal as it is heartbreakingly beautiful. . .it is one of those rare theatrical experiences that leaves audiences in awe and is the type of play that etches itself to your memory.’ – the new current ★★★★★
‘. . .beautifully written. . .a powerful narrative which re-transports the viewer away from the European front line of 1916 and into colonial India. This play is both simple in narrative structure and complex in its effect; sad and hopeful, tragic and comedic. It’s a perfect hour long exploration of human nature. . .’ – londontheatre1 ★★★★★
‘Greene is a man who chooses his words carefully, and sure enough, Fear in a Handful of Dust captures that bleakness well. However, there’s also a beauty in this work – you can’t fail to be moved by the basic humanity that rests at its core.’ – views from the gods ★★★★
‘A powerful and indescribable monolith to the human spirit. Surprising and brutal.’ – grump gay critic ★★★★
‘Despite the subject matter, this play crackles with snappy dialogue and humour, inviting you to consider the terrible sacrifices made by so many men 100 years ago.‘ – everything theatre ★★★★
‘The brilliance of this play is to show two men trapped in a nightmare they cannot get out of and they know it.’ – theatre bubble ★★★★
‘…where Sevan Greene’s intense, grittily believable two-hander succeeds in distinguishing itself is in its intimacy.’ – exuent ★★★★
‘An original stance on a war we often feel we know well.’ – ginger hibiscus ★★★★
The Actors Theatre of Charlotte, North Carloina
dir. Peter Smeal
‘Playwright Sevan Kaloustian Greene captures what real grief can look like and reflects it back to the audience.’ – artsalamode
‘…a tough, topical situation treated with a deft blend of comedy and explosive drama.’ – creative loafing – charlotte
‘…tightly and efficiently constructed, credibly characterized, evoking sympathy without pleading for it.’ – the charlotte observer
‘Narrow Daylight skillfully channels contemporary life through the universal themes of love, loss, reconciliation, and family.’ – cvnc
‘…a play that adds an exciting new voice to our modern stage.’ – Matt Casper, Charlotte Viewpoint
Roth & Associates, East, Inc.